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Brent Watkins "Plenilunium"

Brent Watkins’ Plenilunium is a mesmerizing journey through the shadowy corridors of progressive rock, blending tango-infused piano, martial rhythms, and Floydian grandeur into a soundscape that feels both intimately human and expansively cosmic. Hailing from the USA, Watkins crafts a piece that deftly balances brooding introspection with theatrical drama, evoking the smoky allure of Astor Piazzolla’s tangos and the psychedelic sweep of Pink Floyd’s iconic arrangements.

The track opens with a haunting piano intro, its staccato chords and melancholic melody setting a noir-ish tone before dissolving into a martial pulse that escalates like a storm gathering force. This is prog rock as séance—summoning ghosts of classic rock’s past while carving out its own enigmatic identity.

Plenilunium thrives on its meticulous architecture: the piano’s tango flourishes weave through a lattice of moody synths, while the guitar work—drenched in that quintessential Gilmour-esque tone—carves out lyrical, soaring leads that ache with yearning. Watkins’ arrangements are a masterclass in dynamics, oscillating between sparse, haunting minimalism and opulent, wall-of-sound intensity, all while maintaining a cinematic cohesion.

Named for the “plenilunium” (the full moon’s peak), the track mirrors the duality of its title—luminous yet haunting, serene yet tempestuous. It’s a meditation on emotional paradoxes, where beauty and melancholy coexist like light dancing on dark water. 

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